Vivek is 17, and as every middle-class family in India would attest, it is high time he was enrolled in coaching classes for the notoriously competitive entrance exams of the Indian Institutes of Technology (IITs). Vivek’s father, who sees an IIT degree as a moral certificate, ships his only son off to a residential preparatory school in Kota, the Mecca for IIT coaching. Over two years, Vivek goes through the motions of Indian adolescence, but it is his parents who do the growing up.

The story of Dirty Lines starts in 1987’s Amsterdam, at a time when Dutch society was changing rapidly. Psychology student Marly Salomon takes on a side job working for a brand new firm: Teledutch – a company started by two brothers, Frank and Ramon Stigter, who established Europe’s first erotic telephone lines. Frank and Ramon become rich overnight and Marly finds herself immersed in this wild and rapid transformation. The final years of the Cold War sparked a sense of hope and inspired a new generation to celebrate life to its fullest. Amsterdam became the center of that cultural revolution with a radically new form of music: house and a new love drug: XTC. The erotic phone lines offer the opportunity to experience anonymous sex in a new way, changing the morality of its consumers, but also very much the people creating it.

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy’s biological mother in hopes that she will be brilliant too. But when he learns that Max’s mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town’s founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.

Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.

Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces an impossible moral choice.

An intimate documentary delving into Rian Johnson’s process as he comes in as a director new to the Star Wars universe. A fan since childhood, he sets out to make the most powerful Star Wars movie he can. Navigating the mammoth production, the scale of which he’s never directed before, we meet his cast and crew, see their individual challenges in bringing the film together, say goodbye to Carrie Fisher, and explore the significance of Rian’s more surprising decisions. The documentary gives you a view of what it really was like to make The Last Jedi. As the team strive to do their best, what shines through is their passion and how memorable an experience it is for Rian as director.

An ICE Agent struggling with the moral dilemmas of border security and an undocumented woman fighting to escape a ruthless cartel cross paths and work together to save the life of an innocent girl.

In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.

High in the remote Welsh mountains, five builders are bought together to renovate a sprawling old farmhouse. Housed in mouldy portacabins, tensions soon simmer between the men and the self-entitled aristocratic homeowner, as well as amongst the rag tag group of men themselves. World-weary old timer Dave and kindly Foreman Bob try to keep the peace. But his nephew Steve falls under the malign influence of bigot Jim, the pair taking a dislike to Viktor, a Ukranian labourer. As the weather closes in and payments are late, tempers fray. Blood is spilled. As the blue-collar men are confronted with an increasingly dark spiral of moral choices, Jim makes an astonishing proposition.

Working through some difficult decisions, Mitchell family matriarch Phylis and patriarch Bill, have summoned their two grown sons – TV star, Mike Mitchell and Brandon Mitchell – home for the holidays. It is their hope that bringing the family together to recreate the Christmas house, will help them find resolution and make a memorable holiday for the entire family and community. As Brandon and his husband Jake make the trip home, they are anxiously awaiting a call about the adoption of their first child. Meanwhile, Mike reconnects with Andi, his high school sweetheart.

A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.

Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day – without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.

This anthology series about timeless moral questions in unprecedented times, takes provocative concepts and brings them into the open, delivering three-dimensional, character-driven stories with humor and heart.

This anthology series about timeless moral questions in unprecedented times, takes provocative concepts and brings them into the open, delivering three-dimensional, character-driven stories with humor and heart.

Camp Confidential: America’s Secret Nazis, a documentary short featuring animation, directed by Daniel Sivan and Mor Loushy (The Devil Next Door, The Oslo Diaries) and produced by Benji and Jono Bergmann (Wirecard, Mau), focuses on the story of a top secret POW camp that was classified for over 5 decades. In the midst of WWII, a group of young Jewish refugees are assigned to guard a top secret POW camp near Washington D.C. The Jewish soldiers soon discover that their prisoners are no other than Hitler’s top scientists – What starts out as an intelligence mission to gather information from the Nazis, soon gets a shocking twist when the Jewish soldiers are tasked with a very different mission altogether. A mission that would question their moral values – exposing a dark secret from America’s past.

“Crown Vic” takes us on one memorable night in the life of veteran patrol officer Ray Mandel and his trainee, ambitious rookie cop Nick Holland in the LAPD’s Olympic Division. With two cop killers on the loose and hunting for more targets, Mandel and Holland must contend with a city about to boil over, as well as Jack VanZandt, an unhinged rogue cop out for payback running wild in their patrol zone. As the night wears on, Mandel finds himself in a desperate race against the clock to find a missing girl as he and Holland prowl the dangerous streets of LA.

In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.

When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl’s aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons – they’re not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve the case, they are faced with a moral dilemma that tears them apart.

Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors.

Directed by a different Matthew Price than the MAMO host, this film follows a team of programmers develop a revolutionary new dating app called Other Halves. On the night before the app is set to launch, they discover it causes strange side effects: users lose all self-control, becoming amoral, lascivious, violent… evil. They consider shutting the app down, but… Evil is profitable.

It’s the eve of Christmas in northern Finland and an “archeological” dig has just unearthed the real Santa Claus. But this particular Santa isn’t the one you want coming to town. When all the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa’s elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality. RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.

Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?

On October 16, 1992, an impressive and eclectic group of artists gathered at Madison Square Garden in New York City for the purpose of celebrating the music of Bob Dylan on the occasion of his 30th anniversary of recording. Bringing together musical greats as far-flung as Johnny Cash and Eddie Vedder, The Clancy Brothers and Lou Reed, the four-hour show celebrated a truly remarkable lifetime of songs in front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured a cast of musical notables performing carefully chosen and often surprising selections from the incomparable Dylan songbook. At evening’s end, the man of honor himself appeared on stage and gracefully brought it all back home again. In a world where all-star celebrity gatherings have become commonplace, the Bob Dylan celebration stood out as, first and foremost, a legitimately memorable musical event.

This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.

Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.

Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother’s flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.

Indu’s husband, a government employee, believes in using the state of Emergency to advance his career, but a moral and ideological discrepancy sets her on a own path.

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.

In a California memorabilia shop in 2010, collector Randy Guijarro bought a tintype that looked to be a familiar figure, Billy the Kid – playing croquet with his gang known as The Regulators. As the gravity of the discovery began to set in, Guijarro initiated a chain of events that would lead him on a painstaking journey to verify the photograph’s authenticity.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.

The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.

Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.

It has launched both purity balls and porn franchises, defines a young woman’s morality-but has no medical definition. Enter the magical world of virginity, where a white wedding dress can restore a woman’s innocence and replacement hymens can be purchased online. Filmmaker Therese Shechter uses her own path out of virginity to explore why our sex-crazed society cherishes this so-called precious gift. Along the way, we meet sex educators, virginity auctioneers, abstinence advocates, and young men and women who bare their tales of doing it-or not doing it. “How To Lose Your Virginity” uncovers the myths and misogyny surrounding a rite of passage that many obsesses about but few truly understand.

In the town of Copper Canyon, people are cashing in on an economic housing boom, and the local country club is buzzing about the investment opportunity. Once vivacious couple, Roger (Vincent D’Onofrio) and Georgie (Kyra Sedgwick), have settled into a complacent lifestyle of mediocrity where their marriage is falling apart and their children are turning away from them. Nonetheless, the desperately discontent Georgie pushes Roger into finding a way to invest in the market bubble in the hopes that their family can be saved with the money they are sure to make. When local tennis pro and part-time drug dealer, Pat (Rhys Coiro), comes to Roger for investment advice, Roger sees his opportunity. Torn by the reality that his family could be saved by this dirty money, Roger finds himself staring down the barrel of a moral conundrum.